adhdkirabraginsky:

marauders4evr:

factsinallcaps:

fenrisesque:

factsinallcaps:

sightless-raiton:

factsinallcaps:

THE LIST OF THINGS NINTENDO PREDATES INCLUDES, BUT IS NOT LIMITED TO:

THE SHERLOCK HOLMES FRANCHISE

UNITED STATES PRESIDENT DWIGHT D. EISHENHOWER’S BIRTH

THE NOVEL “DRACULA”

THE NOVELS “THE TIME MACHINE” AND “WAR OF THE WORLDS” BY H.G. WELLS

THE FIRST MODERN OLYMPIC GAMES

THE DISCOVERY OF HELIUM ON EARTH

… Okay. I believe you. But like… how?

NINTENDO WAS FOUNDED IN 1889 AS A CARD GAME MANUFACTURER AND ALL THOSE OTHER THINGS HAPPENED IN 1890 OR LATER

WHAT THE FUCK I THOUGHT DRACULA WAS EARLIER WHAT THE FUCK

YOU COULD WRITE A DRACULA FANFIC WHERE DRACULA TRAVELS TO JAPAN AND BUYS A PACK OF NINTENDO BRAND PLAYING CARDS AND IT WOULD BE HISTORICALLY ACCURATE. SAME DEAL FOR SHERLOCK HOLMES.

No no no no no!

Don’t write fanfic!

Those things are in the public domain!

You can legally write, publish, and sell a Dracula book where Dracula travels to Japan and buys a pack of Nintendo brand playing cards!

Same deal for Sherlock Holmes!

what if you write a book where dracula and sherlock holmes travel to japan at the same time and reach for the last pack of nintendo brand playing cards that they both wanted

2srooky:

sexy-hell-pig:

We can talk about that goddamn shitty movie Maleficent till the cows come home, go on and on about how stupid it is to make such a simply evil but awesome villain the martyr for no goddamn reason.

But you know what I want?

I want a spinoff of the Beauty and the Beast about the one who cursed Adam (the beast,) the Enchantress.

Because this bitch

This fucking bitch, is possibly as evil, maybe even more evil and sadistic than Maleficent.

The Enchantress cursed the prince because he failed a test, he was unkind to her because she presented herself as an ugly old hag. She turned him into a werewolf minotaur hybrid (fucking cool I’ll give her that,) because he was rude to her and didn’t want her rose.

So she cursed him, along with every single one of his servants. What did his servants have to do with any of this? Why are they being punished?

Not only that, but this stood out to me when I watched the movie again. When the spell is broken, all of the monstrous statues and art pieces transform into graceful, beautiful ones, I’m assuming that’s what they looked like before.

So this enchantress not only cursed him and his servants (oh and his fucking DOG DID I MENTION THAT) she took away every beautiful thing he had, replacing them with things like goblins, dragons, ghouls and other monsters, just to remind him what he was and what she had done to him, and he would have to look at them every single day.

I’m going to rightfully assume she provided the magic mirror as well, all of the magic in the movie stems from her, the mirror most likely came from her. His only window to the outside world is a handheld mirror, so he can fucking look at himself.

But you know what the kicker is?

If we take these two lines into consideration

“The rose, which was truly an enchanted rose, which would bloom until his 21st year” ~Narrator

“Ten years we’ve been rusting…” ~ Lumiere

We can reasonably deduce that the Enchantress cursed the prince when he was eleven years old.

I want this filthy green bitch publicly exposed.

Not only did she curse an 11 year old, she cursed an 11 year old PRINCE in the middle of a dark night who refused a stranger shelter because, get this, I’m 20 and if some weird old lady showed up at my door in the middle of he night and was like Yo Can I Sleep Here i would probably just close and lock my door because!!!!

Who is she!!!! I don’t know her!!!! What if she tried to kill me or stole everything!!

This boy is a prince living in a palace of luxury and he was probably given the “don’t talk to strangers” talk by his (dead??) royal parents!! Or at least Mrs. Potts!! He was probably like this lady’s gonna steal our silverware and candle sticks in the middle of the night and all she’s giving me is a rose that was probably picked from our own garden?? Bye lady.

libations-of-honey-and-milk:

In fairy tales and fantasy, two types of people go in towers:  princesses and wizards.

Princesses are placed there against their will or with the intention of ‘keeping them safe.’
This is very different from wizards, who seek out towers to hone their sorcery in solitude.

I would like a story where a princess is placed in an abandoned tower that used to belong to a wizard, and so she spends long years learning the craft of wizardry from the scraps left behind and becomes the most powerful magic wielder the world has seen in centuries, busts out of the tower and wreaks glorious, bloody vengeance on the fools that imprisoned her. 

That would be my kind of story.

Doc what would lesbian shows look like if they were marketed to lesbians and not guys?

docholligay:

  • Married lesbians who kiss and show affection on screen (and like, normal relationship affection, not like HOT GURLLZZZ GETTIN DOWN) 
  • Actual butch lesbians
  • The butches are probably watching The Bridges of Madison County and crying
  • somewhere, a femme is rolling is her eyes
  • It’s a sitcom, not a drama
  • The couples are not unrealistically held up as ‘the only perfect couple’ either–they fight about stupid shit like the brand of toothpaste they buy like everyone else. 

If the other Sailor Soldiers were the leads in their own stories:

(Excluding Mina, obviously, because she already has her own story, and Chibi Moon, because it would ultimately be the same kind of story as Moon’s)
Mercury: A slice of life/underdog story about a painfully shy and lonely genius as she follows her dream to becoming Japan’s youngest doctor. Dodging bullying from her peers and attempted sabotage by her superiors, it’s a story about a loner overcoming isolation and winning in her own quiet way, supported by an ecclectic but excitable background cast. A similar moral to modern interpretations of Cinderella with a sleek 90s shoujo art style like Wedding Peach.
Mars: A distant, motivated, powerful and beautiful young shinto priestess is trying to live her own life and achieve her goals of becoming rich, famous and successful, but she has to waste time warding off evil demons, lost spirits and smitten boys. Kind of a cross between Ghost Sweeper Mikami and Mushishi, with a heavy, retro art style similar to Devilman.
Jupiter: A tall, strong schoolgirl is consistently mistaken for a delinquent and accidentally becomes the leader of a bike gang, when all she really wants to do is open a combination florist/bakery. Love confessions are mistaken as challenges for this poor Rambo romantic! A bombastic art style with shounen leanings like Binbougami Ga and Slayers.
Pluto: A more relaxed and mature approach to time travel combining & contrasting it with the mystery and thriller genres. A shadowy figure cuts through time and space, piecing together mysteries and transplating people into the right places at the right time. Reuniting lovers, averting catastrophes and bridging generations without ever committing her sacred Taboos, the story slowly unravels the central character’s past and her own unfixable mistakes. A solid, minimalist art style as per Naoki Urasawa’s Monster combined with abstract textures and colouring like Sayonara Zetsubou Sensei.
Neptune: An unfathomably graceful, rich and beautiful young lady encounters a series of problems she solves by sheer magnitude of her perfection. An affectionate parody of extravagant 70s shoujo manga serving as an elegant counterpart to One-Punch Man, with a style heavily referencing The Rose of Versailles.
Uranus: Unfettered shoujo romance featuring an androgynous lead whose womanizing tendencies lands her frequently in hot water. Gathering rivals from around the world in racing, classical music and vintage automobile collecting, she must avoid their constant attempts to best her while chasing her elusive and elegant “first love” from so many years ago. Dramedy/romance with a ornamented but dynamic style like Magic Knight Rayearth or Revolutionary Girl Utena.
Saturn: A slow-paced, Gothic horror/thriller manga centered around a frail and amnesiac girl, who finds herself one day incapable of leaving her family’s enormous mansion after one of her father’s sinister science experiments goes awry. The house has transformed into a dark maze defying any logic, and she must travel through its endless rooms to try and save him while uncovering their painful past. A visual and directorial approach like a Junji Ito version of Alice in Wonderland.